Creed (2015)

Referenced for nighttime aesthetic and interior lighting. 

Soft top-light with smooth, but clear contrast. 

emphasis on steadicam Camera movment to enhance intensity

long-takes following movement onscreen. 



SLAM (1998)

loose handheld aesthetic empowers actor performance

wide lenses used in close proximity to actors to create feeling of intimacy

unexpected camera angles



y tu mamá tambien

Referenced for creative execution of driving shots 

long takes that ground the film with a strong sense of place



GANG (2015)

Intimate handheld aesthetic

creative use of available light