Creed (2015)
Referenced for nighttime aesthetic and interior lighting.
Soft top-light with smooth, but clear contrast.
emphasis on steadicam Camera movment to enhance intensity
long-takes following movement onscreen.
SLAM (1998)
loose handheld aesthetic empowers actor performance
wide lenses used in close proximity to actors to create feeling of intimacy
unexpected camera angles
y tu mamá tambien
Referenced for creative execution of driving shots
long takes that ground the film with a strong sense of place
GANG (2015)
